In Thomas Tudway’s (d. 1726) prefaces to his volumes of Services and Anthems, presented to Lord Edward Harvey between 1715 and 1717, give accounts (and opinions) on the state of church music after the Restoration of the monarchy in 1660 (see appendix 4). Tudway describes how, along with the monarchy being restored after the Commonwealth…
Editorial Procedure, Performance Practice and Advice for Musicians Sources Two manuscripts have been consulted in compiling this edition, Christ Church manuscript 23 (Appendix 1) and British Library Additional manuscript 33287 (Appendix 2). The Christ Church manuscript is described in the John Milsom catalogue as having a late seventeenth century binding, whilst the British Library manuscript…
The Verse Anthem: Virtuosic Verse for Making Means? A study into the Verse Anthem and its place in Society c.1560–1690 According to Charles Butler in The Principles of Musik, the finest anthem was one ‘wherein a sweet melodious treble or countertenor singeth single and a full choir answereth [sic]’. He was referring to the Verse…
M. Adams, ‘Purcell, Blow and the English Court Ode’, in C. Price ed., Purcell Studies (Cambridge, 1995), 172–91 M. Burden, ‘Purcell’s and his Contemporaries’ in M. Burden ed., The Purcell Companion (London, 1995), 52–98 C. Burney, A General History of Music (London, 1776–89; ed. F. Mercer, London, 1935) J. Caldwell, A History of English Music,…